{"id":10228,"date":"2022-09-26T14:42:58","date_gmt":"2022-09-26T14:42:58","guid":{"rendered":"https:\/\/www.casacartii.ro\/editura\/?p=10228"},"modified":"2026-04-26T14:44:02","modified_gmt":"2026-04-26T14:44:02","slug":"lotta-elstad-sau-despre-libertatea-de-a-alege-2","status":"publish","type":"post","link":"https:\/\/www.casacartii.ro\/editura\/lotta-elstad-sau-despre-libertatea-de-a-alege-2\/","title":{"rendered":"Lotta Elstad. Sau despre libertatea de a alege"},"content":{"rendered":"<div class=\"entry-header\">\n<div class=\"entry-meta\">\n<header class=\"entry-header\">\n<div class=\"entry-meta\">\n<div class=\"meta-item author\">\n<header class=\"post-header\">\n<header class=\"entry-header\">\n<div class=\"entry-header\">\n<div class=\"entry-meta\">\n<header class=\"entry-header\">\n<h1 class=\"entry-title\">Lotta Elstad. Sau despre libertatea de a alege<\/h1>\n<div class=\"entry-meta\">\n<div class=\"meta-item date\"><span class=\"updated\">26.09.2022<\/span><\/div>\n<\/div>\n<\/header>\n<div class=\"meta-image\"><img loading=\"lazy\" decoding=\"async\" class=\"attachment-vce-lay-a-nosid size-vce-lay-a-nosid wp-post-image\" src=\"https:\/\/www.litero-mania.com\/wp-content\/uploads\/2022\/09\/lotta.jpg\" sizes=\"auto, (max-width: 810px) 100vw, 810px\" srcset=\"https:\/\/www.litero-mania.com\/wp-content\/uploads\/2022\/09\/lotta.jpg 810w, https:\/\/www.litero-mania.com\/wp-content\/uploads\/2022\/09\/lotta-300x167.jpg 300w, https:\/\/www.litero-mania.com\/wp-content\/uploads\/2022\/09\/lotta-768x427.jpg 768w, https:\/\/www.litero-mania.com\/wp-content\/uploads\/2022\/09\/lotta-24x13.jpg 24w, https:\/\/www.litero-mania.com\/wp-content\/uploads\/2022\/09\/lotta-36x20.jpg 36w, https:\/\/www.litero-mania.com\/wp-content\/uploads\/2022\/09\/lotta-48x27.jpg 48w\" alt=\"\" width=\"810\" height=\"450\" \/><\/div>\n<div class=\"meta-author\">\n<div class=\"meta-author-img\"><img loading=\"lazy\" decoding=\"async\" class=\"avatar pp-user-avatar avatar-100 photo \" src=\"https:\/\/www.litero-mania.com\/wp-content\/uploads\/2024\/11\/20230704_095436-150x150.jpg\" width=\"100\" height=\"100\" data-del=\"avatar\" \/><\/div>\n<div class=\"meta-author-wrapped\"><span class=\"vcard author\"><span class=\"fn\"><a href=\"https:\/\/www.litero-mania.com\/author\/rodica-grigore\/\">Rodica Grigore<\/a><\/span><\/span><\/div>\n<\/div>\n<div class=\"entry-content\">\n<p>Convins\u0103 c\u0103 \u201erefuzul de a g\u00e2ndi poate fi o ac\u021biune politic\u0103, mai ales atunci c\u00e2nd g\u00e2ndirea este ceva la care te oblig\u0103 statul\u201d, scriitoarea norvegian\u0103 Lotta Elstad public\u0103, \u00een anul 2017, o carte intitulat\u0103, aparent neverosimil, \u201e<a href=\"https:\/\/www.casacartii.ro\/editura\/carte\/refuz-sa-gandesc\/\">Refuz s\u0103 g\u00e2ndesc<\/a>\u201d, care va deveni senza\u021bia literar\u0103 a momentului \u00een \u021bara fiordurilor, fiind \u00eencununat\u0103 \u0219i cu prestigiosul Premiu Oslo pentru cel mai bun roman.<\/p>\n<p>Personalitate aparte \u0219i prezen\u021b\u0103 extrem de vie \u00een spa\u021biul cultural norvegian, afirmat\u0103 \u00een calitate de istoric, jurnalist, editor de non-fic\u021biune, t\u00e2n\u0103ra Lotta Elstad (n\u0103scut\u0103 \u00een 1982), cucere\u0219te rapid, dup\u0103 debutul s\u0103u literar din 2008, \u0219i cititorii de fic\u021biune, iar recentul s\u0103u roman \u201eRefuz s\u0103 g\u00e2ndesc\u201d consacr\u0103 un talent indiscutabil. \u201e\u00cemi place contrastul dintre o tem\u0103 dificil\u0103 sau serioas\u0103 \u0219i comedie. Doar a\u0219a este via\u021ba\u201d, spunea autoarea, \u00een \u00eencercarea de a defini succint acest text. Un text care, prin tematica abordat\u0103 (dreptul\/libertatea de alegere a femeii de a avea sau nu un copil, criza\/crizele cu care Europa zilelor noastre pare a se confrunta constant, tensiunile mai mult sau mai pu\u021bin evidente dintre diferitele orient\u0103ri politice ale Scandinaviei \u0219i nu numai) a suscitat vii discu\u021bii nu doar \u00een \u021bara natal\u0103 a Lottei Elstad, ci \u0219i pretutindeni unde a fost tradus. Dar, deopotriv\u0103, a cucerit cititorii \u2013 mai cu seam\u0103 pe cei tineri, descriind exact lumea \u00een care ace\u0219tia se mi\u0219c\u0103, iau decizii \u0219i \u00eencearc\u0103 s\u0103-\u0219i construiasc\u0103 viitorul.<\/p>\n<div class=\"monsterinsights-inline-popular-posts monsterinsights-inline-popular-posts-beta monsterinsights-popular-posts-styled\">\n<div class=\"monsterinsights-inline-popular-posts-image\"><\/div>\n<div class=\"monsterinsights-inline-popular-posts-text\"><span style=\"color: #555555; font-size: 14.4px;\">\u00cenc\u0103 de la \u00eenceput, protagonista romanului, Hedda M\u00f8ller, jurnalist\u0103 independent\u0103, \u00een v\u00e2rst\u0103 de treizeci \u0219i trei de ani, pare a fi ajuns \u00eentr-un punct de criz\u0103. Rela\u021bia cu prietenul ei, Lukas, nu mai func\u021bioneaz\u0103, iar ea ajunge s\u0103 se \u00eentrebe care e esen\u021ba rela\u021biei (care, de fapt, conteaz\u0103 exclusiv \u00een ochii ei!) cu un b\u0103rbat al\u0103turi de care \u00ee\u0219i petrece doar c\u00e2te o noapte, din c\u00e2nd \u00een c\u00e2nd. Angajatorul s\u0103u \u00eei mul\u021bume\u0219te pentru serviciile de p\u00e2n\u0103 atunci, \u00eens\u0103 o anun\u021b\u0103 c\u0103 renun\u021b\u0103 la ele. Sigur, pierderile financiare sunt de vin\u0103, \u00eens\u0103 acum Hedda \u00ee\u0219i pune \u0219i o alt\u0103 problem\u0103, anume pe aceea a utilit\u0103\u021bii reale a muncii sale, c\u00e2t\u0103 vreme aceasta era, oricum, ocazional\u0103. Prin urmare, ca s\u0103 \u021bin\u0103 cumva c\u00e2t se poate de departe toate aceste dileme existen\u021biale, cel pu\u021bin pentru moment, protagonista romanului Lottei Elstad decide s\u0103 plece, convins\u0103 c\u0103 alte peisaje \u0219i, poate, al\u021bi oameni i-ar schimba starea de spirit. \u0218i unde ar putea alege s\u0103 se duc\u0103 o norvegianc\u0103 pentru a se sim\u021bi c\u00e2t mai departe de tot ce \u00eenseamn\u0103 acas\u0103? Ei bine, f\u0103r\u0103 \u00eendoial\u0103, \u00een \u00eensorita Grecie\u2026 Zis \u0219i f\u0103cut. A\u0219a c\u0103, la bordul unei curse de avion low-cost, Hedda porne\u0219te spre necunoscutul t\u0103r\u00e2m al vacan\u021belor perfecte promise de pliantele frumos colorate ale tuturor agen\u021biilor turistice. Numai c\u0103, a\u0219a cum majoritatea socotelilor de acas\u0103 nu se potrivesc cu cele de mai departe, vacan\u021ba ideal\u0103 a Heddei se termin\u0103 \u00eenainte de a \u00eencepe. C\u0103ci, dup\u0103 un zbor de co\u0219mar, avionul e silit s\u0103 aterizeze de urgen\u021b\u0103 la Sarajevo, iar Hedda, traumatizat\u0103 de aceast\u0103 experien\u021b\u0103 nepl\u0103cut\u0103, realizeaz\u0103 c\u0103 nu mai e \u00een stare s\u0103 urce la bord. A\u0219adar, va porni \u00eenapoi spre Oslo, de ast\u0103 dat\u0103, \u00eens\u0103, nu pe calea aerului, ci pe uscat, str\u0103b\u0103t\u00e2nd, simbolic, Europa \u00een sens invers, iar \u00een Germania, unde face un popas, are o aventur\u0103 cu Milo, un b\u0103rbat pe care-l cunoscuse pe Tinder. \u0218i care va continua s\u0103-i scrie mesaje cu majuscule \u0219i dup\u0103 ce \u00ee\u0219i iau la revedere. Numai c\u0103, odat\u0103 ajuns\u0103 \u00eenapoi la Oslo, Hedda \u00ee\u0219i d\u0103 seama c\u0103 existen\u021ba ei suficient de previzibil\u0103 (previzibil\u0103 \u0219i organizat\u0103 \u00een conformitate cu propriile sale standarde!\u2026), de care era at\u00e2t de mul\u021bumit\u0103 \u00eenainte, s-a schimbat iremediabil, fiindc\u0103 e \u00eens\u0103rcinat\u0103. \u0218i, cu toate c\u0103 e decis\u0103 de la bun \u00eenceput s\u0103 nu p\u0103streze copilul, se izbe\u0219te de o mul\u021bime de probleme \u2013 birocratice, medicale etc. \u2013 care o fac s\u0103 \u00een\u021beleag\u0103 c\u00e2t de limitat\u0103 a ajuns mult clamata libertate de alegere \u0219i de op\u021biune \u00een lumea \u00een care tr\u0103im.<\/span><\/div>\n<\/div>\n<p>Dar Hedda din \u201eRefuz s\u0103 g\u00e2ndesc\u201d, chiar f\u0103r\u0103 s\u0103 fie o a doua Hedda Gabler (cu toate c\u0103, desigur, cititorul va avea, fie \u0219i involuntar \u00een minte acest model literar, mai cu seam\u0103 pentru c\u0103 e vorba despre o norvegian\u0103, iar leg\u0103tura cu protagonistele teatrului lui Henrik Ibsen se face, aproape pe nesim\u021bite, cu at\u00e2t mai mult cu c\u00e2t e vorba despre decizii importante \u0219i alegeri ce pot avea consecin\u021be \u00eensemnate!), e o femeie puternic\u0103. \u0218i care pune mai presus de orice dreptul ei de a fi cine alege s\u0103 fie \u0219i de a avea via\u021ba pe care ea \u00eens\u0103\u0219i \u0219i-o hot\u0103r\u0103\u0219te. Prin urmare, decide s\u0103 lupte cu sistemul \u2013 medical \u0219i administrativ-birocratic \u2013 chiar cu armele pe care acesta i le pune la dispozi\u021bie. \u0218i s\u0103 nu abdice de la lucrurile \u00een care crede cu adev\u0103rat.\u00a0<a href=\"https:\/\/www.litero-mania.com\/cea-mai-mica-femeie-din-lume-proza-scurta-1940-1964-de-clarice-lispector-fragment\/\">Femeie<\/a>\u00a0modern\u0103 \u0219i voluntar\u0103, m\u00e2ndr\u0103 de ce a realizat \u00een via\u021b\u0103 \u0219i de ceea ce a dob\u00e2ndit prin propriile for\u021be, inclusiv de micu\u021bul ei apartament \u0219i de slujba ei, fie \u0219i pasager\u0103, \u00een pres\u0103, Hedda hot\u0103r\u0103\u0219te s\u0103 aleag\u0103, \u0219i \u00een aceast\u0103 situa\u021bie limit\u0103, libertatea. Chiar dac\u0103 asta \u00eenseamn\u0103 s\u0103-i contrarieze pe mul\u021bi, s\u0103-i contrazic\u0103 f\u0103\u021bi\u0219 pe unii \u0219i s\u0103 ri\u0219te s\u0103-i piard\u0103 pe al\u021bii pe care \u00eei credea apropia\u021bi. Dar cui nu i se \u00eent\u00e2mpl\u0103 s\u0103-\u0219i contrazic\u0103 apropia\u021bii ori s\u0103-i piard\u0103 definitiv sau temporar pe cei pe care-i credea prieteni, pare a se \u00eentreba, subtextual \u0219i retoric, autoarea romanului de fa\u021b\u0103.<\/p>\n<p>F\u0103r\u0103 s\u0103 vrea s\u0103 conving\u0103 pe cineva de adev\u0103rul sau de juste\u021bea alegerilor personajului s\u0103u, dar \u0219i f\u0103r\u0103 s\u0103 cedeze \u00een fa\u021ba sentimentalismelor de prisos \u0219i a literaturii a\u0219a-zis frumoase, Lotta Elstad reu\u0219e\u0219te s\u0103-\u0219i \u021bin\u0103 cititorul atent \u0219i mereu conectat la realitatea \u2013 la actualitatea! \u2013 unui text care provoac\u0103 \u00een mod deliberat toate cli\u0219eele de g\u00e2ndire ori de comportament ale societ\u0103\u021bii \u00een care tr\u0103im \u0219i ale consum(er)ismului zilelor noastre. \u0218i are, pe deasupra, temeritatea de a-\u0219i provoca to\u021bi cititorii, indiferent de v\u00e2rst\u0103, s\u0103 mediteze chiar \u0219i asupra acelor lucruri pe care, adesea, pare mai comod s\u0103 le ignori. I s-ar putea repro\u0219a (i s-a \u0219i repro\u0219at de c\u0103tre unii exege\u021bi\u2026) Heddei din acest roman c\u0103 \u00eentr-un fel, dac\u0103 nu cumva \u00een mai multe, fuge de r\u0103spundere \u0219i c\u0103 refuz\u0103 s\u0103-\u0219i asume responsabilitatea propriilor sale fapte. Dar, dac\u0103 fuge, ea fuge, \u00een anumite momente, doar de sine \u2013 \u0219i asta doar pentru a putea avea o perspectiv\u0103 mai clar\u0103 asupra propriei vie\u021bi \u0219i a g\u0103si curajul de a se afirma a\u0219a cum este \u00een fa\u021ba tuturor. A\u0219a cum este \u0219i nu a\u0219a cum cineva ar putea s\u0103 (\u0219i)-o doreasc\u0103\u2026<\/p>\n<p>Pe l\u00e2ng\u0103 toate acestea, \u201eRefuz s\u0103 g\u00e2ndesc\u201d, romanul Lottei Elstad, ofer\u0103 \u0219i o gr\u0103itoare \u0219i cuprinz\u0103toare imagine a lumii zilelor noastre. Nu o fresc\u0103 social\u0103, asemenea marilor romane ale secolului trecut, ci o imagine expresiv\u0103, asemenea unui instantaneu fotografic care dezv\u0103luie mult \u0219i multe \u2013 chiar \u0219i \u00een afara contururilor care sunt cele mai evidente ori a celor situate \u00een prim-plan. Lumea norvegian\u0103 contemporan\u0103, cu polite\u021bea \u0219i eficien\u021ba ei, dar \u0219i cu abia sim\u021bita dorin\u021b\u0103 de a include totul \u0219i pe to\u021bi \u00een ni\u0219te modele comportamentale prestabilite, se dezv\u0103luie cititorului pe nesim\u021bite, cumva \u00een fundalul aventurilor Heddei, dar cre\u00e2nd, pentru acestea, cadrul f\u0103r\u0103 de care ele nu ar fi putut avea loc. Prins\u0103 ea \u00eens\u0103\u0219i \u00eentre tensiunile tot mai evidente dintre \u00eencrederea total\u0103 \u00een \u0219tiin\u021b\u0103, convingerea \u00een puterea banului de a deschide orice u\u0219\u0103 \u0219i nevoia de a-\u0219i p\u0103stra libertatea de alegere \u00een orice condi\u021bii, Hedda M\u00f8ller dubleaz\u0103 \u00een permanen\u021b\u0103 c\u0103l\u0103toria fizic\u0103 dus-\u00eentors prin Europa cu o alta, interioar\u0103, dificil drum al completei descoperiri de sine, finalizat\u0103 prin curajul de a-\u0219i afirma adev\u0103rata individualitate \u0219i de a-\u0219i rosti cu glas tare propriile adev\u0103ruri. Totul e spus \u00een capitole scurte, altern\u00e2nd prezentul cu trecutul, ca \u00eentr-un uria\u0219 caleidoscop, ce are, nu o dat\u0103, un efect hipnotic asupra cititorului.<\/p>\n<p>\u00cen acest fel, din aparent facil demers ironico-satiric, din exerci\u021biu ludic ori de umor negru sau exemplu de\u00a0<em>parti-pris<\/em>\u00a0feminist, romanul scris de Lotta Elstad se transform\u0103, pe nesim\u021bite, \u0219i \u00eentr-o medita\u021bie ce vizeaz\u0103 realit\u0103\u021bile Europei de azi, politica ei (mai mult sau mai pu\u021bin corect\u0103\u2026), dar \u0219i m\u0103sura \u00een care o femeie mai poate r\u0103m\u00e2ne fidel\u0103 propriilor convingeri \u00eentr-o lume aflat\u0103 \u00eentr-o perpetu\u0103 transformare \u0219i \u00een mijlocul unui univers \u00een care ziua de m\u00e2ine poate fi at\u00e2t de diferit\u0103 de cea de azi.<\/p>\n<p><strong>Lotta Elstad, \u201eRefuz s\u0103 \u00a0g\u00e2ndesc\u201d, traducere \u0219i note de Ana Su\u0103r\u0103\u0219an, prefa\u021b\u0103 de Sanda Tomescu Baciu, postfa\u021b\u0103 de Ana Su\u0103r\u0103\u0219an, Editura Casa C\u0103r\u021bii de \u0218tiin\u021b\u0103, Cluj-Napoca, 2020<\/strong><\/p>\n<\/div>\n<p>sursa: <a href=\"https:\/\/www.litero-mania.com\/lotta-elstad-sau-despre-libertatea-de-a-alege\/?fbclid=IwY2xjawRWsFNleHRuA2FlbQIxMQBzcnRjBmFwcF9pZBAyMjIwMzkxNzg4MjAwODkyAAEe19j6ofiMDlwGXmljzvLzOe8ctGSICtmeffrPWZ7UVNqnfTQ7_OkQ89QVzUI_aem_Hw6iA61MZfAdnRt86bne-w\">Lotta Elstad. Sau despre libertatea de a alege | Literomania<\/a><\/p>\n<\/div>\n<\/div>\n<div class=\"grid grid-columns-12 grid-gap-4 mt-8 relative\">\n<div class=\"tw22-main col-span-11\"><\/div>\n<\/div>\n<\/header>\n<\/header>\n<\/div>\n<\/div>\n<\/header>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Lotta Elstad. Sau despre libertatea de a alege 26.09.2022 Rodica Grigore Convins\u0103 c\u0103 \u201erefuzul de a g\u00e2ndi poate fi o ac\u021biune politic\u0103, mai ales atunci c\u00e2nd g\u00e2ndirea este ceva la care te oblig\u0103 statul\u201d, scriitoarea norvegian\u0103 Lotta Elstad public\u0103, \u00een anul 2017, o carte intitulat\u0103, aparent neverosimil, \u201eRefuz s\u0103 g\u00e2ndesc\u201d, care va deveni senza\u021bia literar\u0103 [&#8230;]\n","protected":false},"author":3,"featured_media":4693,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3077],"tags":[3667],"class_list":["post-10228","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-presa","tag-lotta-elstad-sau-despre-libertatea-de-a-alege"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.casacartii.ro\/editura\/wp-json\/wp\/v2\/posts\/10228","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.casacartii.ro\/editura\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.casacartii.ro\/editura\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.casacartii.ro\/editura\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.casacartii.ro\/editura\/wp-json\/wp\/v2\/comments?post=10228"}],"version-history":[{"count":1,"href":"https:\/\/www.casacartii.ro\/editura\/wp-json\/wp\/v2\/posts\/10228\/revisions"}],"predecessor-version":[{"id":10229,"href":"https:\/\/www.casacartii.ro\/editura\/wp-json\/wp\/v2\/posts\/10228\/revisions\/10229"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.casacartii.ro\/editura\/wp-json\/wp\/v2\/media\/4693"}],"wp:attachment":[{"href":"https:\/\/www.casacartii.ro\/editura\/wp-json\/wp\/v2\/media?parent=10228"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.casacartii.ro\/editura\/wp-json\/wp\/v2\/categories?post=10228"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.casacartii.ro\/editura\/wp-json\/wp\/v2\/tags?post=10228"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}